Rebecca Goodeve
Film Colourist & Post Production Specialist
15+ years industry experience. Certified DaVinci Resolve Trainer.
Working remotely and internationally.
The Power of the Grade
Colour has the power to shape emotion, influence perception, and transform the way an audience experiences a story.
I'm Rebecca Goodeve, a freelance film colourist and Certified DaVinci Resolve Trainer with more than 15 years of industry experience.
Working remotely from my professional grading suite, on location, or internationally when required, I help filmmakers, brands, agencies, and production companies create visually striking work that connects with audiences and leaves a lasting impression.
Showreel
A selection of projects that have challenged me, taught me something, or simply been a joy to work on.
From independent films and documentaries to music videos, fashion campaigns, and commercial work, each project has brought its own creative puzzle to solve.
Colour with intention
Every project has something to say.
Whether it's a feature film exploring grief, a commercial designed to inspire trust, or a music video driven by energy and rebellion, colour plays a crucial role in how that message is received.
My approach to colour grading goes beyond balancing shots and creating beautiful images. I spend time understanding the emotional journey of a project, the motivations of its characters, and the experience the creative team want their audience to have.
Only then do I begin shaping the visual language that supports and enhances that story. Because great colour grading isn't simply about what looks good...
It's about making people feel something.
Selected Projects
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![A woman in a floral dress and white boots standing by a swimming pool with pink house and blue patio furniture and umbrellas in the background, palm trees and a clear blue sky.]()
Aldo x Tezza
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![Close-up of a woman with curly red hair and green eyes, looking to the side, with a blurred outdoor background.]()
Portrait
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![Two soldiers in military uniform walking through tall grass and bushes, aiming rifles forward, with misty weather and leafless trees in the background.]()
Dying of the Light
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![A woman sitting on the floor in a dimly lit room, with a candelabrum holding four lit candles on a table behind her, surrounded by pillows, and a framed picture leaning against the wall.]()
Russell & Bromley
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![A woman wearing sunglasses and a sleeveless dress, and a man with a towel draped over his shoulders, sitting outdoors at a table with glasses of water, against a dark wooden wall with trees in the background.]()
The Gentlemen
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![Three young children with arms raised, standing in a foggy environment with dramatic lighting, possibly performing or participating in an event or dance.]()
No End Lane
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![A woman with a dark complexion wearing a pink headscarf, looking contemplative with her hand resting on her face, in a dimly lit room.]()
Amina, My Sister
Why Work With Me?
Every project arrives with its own challenges, creative ambitions, and practical realities. There is no single workflow that suits every film, commercial, music video, or campaign, which is why I adapt my approach to the needs of the project and the people behind it.
Some clients arrive with a clear visual reference and a strong creative direction. Others know how they want the audience to feel but haven't yet found the visual language to express it. My role is to help bridge that gap.
I enjoy being involved in the creative conversation, exploring ideas, testing possibilities, and helping refine a look that feels authentic to the project rather than forcing a predefined style onto it.
Whether we're working remotely, in a grading facility, or from a temporary setup on location, I aim to create an environment where ideas can be explored openly, feedback is welcomed, and the focus remains on creating the strongest possible version of the work.
Before and After
Watch the image evolve through the colour grading process.
In this example, you're seeing the progression from the original ARRI LogC footage, through the technical colour management process into Rec.709, before arriving at the final creative grade developed to match the project's visual direction and the client's brief.
Every decision is made to support the story, the cinematography, and the creative vision behind the film.
What Clients Say
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![Four men walking outdoors in an urban area during sunset. Two men are wearing black ski masks and black jackets, and a young man in the center is wearing a brown jacket and a Gucci T-shirt. Behind them are residential buildings and a palm tree.]()
Charlie Kay - 5*
“I can't thank Rebecca enough for her flawless professionalism and on top of that, her extraordinary skill and attention to every little detail.
This is the second time working with her for my music videos and it's definitely not my last, thank you Rebecca.
Highly recommend her.” -
![A woman with long, wavy red hair looking down in a dimly lit room with a stone wall in the background.]()
Johnny O Donnell - 5*
“We collaborated with Rebecca on our first film and we found her to be an exceptionally talented film colorist. She is a natural talent with powerful instincts and she enhanced our film immeasurably. She really is the Wonder Woman of the film color world.”
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![A person on the beach during sunset, bending down and holding a fishing net as the sun sets over the ocean.]()
Nigel Morgan - 5*
“Rebecca recently colour graded our new short documentary, using a rich and warm palette while still staying tonally appropriate to the events of each individual scene. She also had the unenviable task of accomplishing this using footage from 5 different camera sources, all with different native colour profiles. The final result was fantastic and even drew positive comments from producers unconnected to the project who attended our premiere screening. Rebecca knows her stuff, prioritised our project and did a great job. Super happy with her work.”
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![A middle-aged man with glasses and a beard looking at a glass of dark whiskey.]()
Saskia Rowlands - 5*
“Rebecca is absolutely FANTASTIC. I contacted her in a very stressful situation one day before my university deadline, having had a terrible experience with a colour corrector. Rebecca not only fitted me in incredibly last minute, but produced the most amazing, professional quality grade. Fast, reliable and extremely good at what she does - don't look any further!”
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![Close-up of a person's face with curly hair, focusing on their eyes and forehead.]()
Stewart Alexander & Kerry Skinner - 5*
“Rebecca graded our short film, and we couldn't have been happier with the results or the experience. She's not only incredibly talented, but also an absolute pleasure to spend time with. As the Producer/Directors of the film we also found her extremely helpful, above and beyond what we could have expected.”
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![A person with short blonde hair looking upward with a tear on their cheek, in a dark setting with a black tank top.]()
Shay Barclay - 5*
“Rebecca is a brilliant grader, with passion, detail and enthusiasm for her work. She gets the call up every single time without fail.”
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![Three young women with arms raised dancing in a smoky, dimly lit environment.]()
William Clapson - 5*
“Rebecca was amazing. Really quick and super friendly and very patient with any changes I asked for. The best looking colour I have ever had from a video I have made!!”
Let’s create something beautiful together…
Whether you're at picture lock or planning your post workflow, I'd love to hear about your project and what you're hoping to create.